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An excerpt from the book “The Feminine Mystique,” Betty Friedan defines women’s unhappiness in the fifties as ” The problem is that no name. ” She identifies “the problem that has no name” is classified as upper-middle-class suburban women who dissatisfaction with their lives and a desire for something else inarticulated next to the hostess duties. He pins the blame on the media steady idealized image of femininity, a social construct that tells women that their role in life is to catch a man, keep a man, a child and put the needs of a husband and children first.
According to Friedan women are encouraged confined to a very narrow definition of “real” femininity, giving up education and career aspirations in the process of the experts who wrote books , columns and books, of which women in this period that the greatest part of the planet was that a wife and mother. The role was a “real” woman, that it is not interested in politics, higher education and a career and women are taught to these professionals to harm the women who have the nerve to want a life beyond cult of true womanhood.
If women are unhappy with the magic lives, experts have blamed their feelings before becoming a homemaker received higher education. marketed in the fifties was a little girl as young as ten years ago by selling advertising underwear bras false bottoms aide friends and catching them in the US married girls began high school. America’s birth during this time skyrocketed and college-educated women made a career out of having children. The pictures were beautiful, generous Suburban housewife acceptable as the norm, and women themselves are driven crazy, sometimes literally, to achieve this goal.
Friedan eventually came to the conclusion that “the problem that has no name” is not a loss of femininity, too much education, and the needs of domesticity but mixing rebellion millions of women who are fed up with pretext that they were satisfied with their lives, and to solve this problem would be the key to the future of American culture.
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Source by Kathy Henry